metallic 1224
12’ W x 23’ L Gold Leaf Composite, applied to a gesso prepared, deep red canvas, Important note ….there’s a planned transition here of the Gold leaf distressing to expose the complimentary deep red under-painting, note 2, in the history of crafting gold leafed frames for fine art and other applications of antiquity, typically there was a complimentary red earth tone to accentuate the final ‘gold leafing’ in the instance of the leaf surface distressing, or developing veins of surface flecking off, a complimentary undertone enhanced the visual aesthetics
12’ W x 23’ L Gold Leaf Composite, applied to a gesso prepared, deep red canvas, Important note ….there’s a planned transition here of the Gold leaf distressing to expose the complimentary deep red under-painting, note 2, in the history of crafting gold leafed frames for fine art and other applications of antiquity, typically there was a complimentary red earth tone to accentuate the final ‘gold leafing’ in the instance of the leaf surface distressing, or developing veins of surface flecking off, a complimentary undertone enhanced the visual aesthetics
12’ W x 23’ L Gold Leaf Composite, applied to a gesso prepared, deep red canvas, Important note ….there’s a planned transition here of the Gold leaf distressing to expose the complimentary deep red under-painting, note 2, in the history of crafting gold leafed frames for fine art and other applications of antiquity, typically there was a complimentary red earth tone to accentuate the final ‘gold leafing’ in the instance of the leaf surface distressing, or developing veins of surface flecking off, a complimentary undertone enhanced the visual aesthetics
