architecture 12132
contemporary suburban home circa 1960’s, hand painted on primed muslin, matte paint, note that the windows may be backlighted / what enables the windows to ‘ illuminate ‘ and which transposes the the backdrop from “daytime “ to “evening” … is the windows haven’t been base coated with opaque primer, as is the balance of the backdrop is, thus reflected back-light, behind the backdrop emits soft light through the unprimed windows , as an ordinary lampshade does, also the amount of light on the front of the backdrop can transpose the scene from daylight, to dusk, to night .
contemporary suburban home circa 1960’s, hand painted on primed muslin, matte paint, note that the windows may be backlighted / what enables the windows to ‘ illuminate ‘ and which transposes the the backdrop from “daytime “ to “evening” … is the windows haven’t been base coated with opaque primer, as is the balance of the backdrop is, thus reflected back-light, behind the backdrop emits soft light through the unprimed windows , as an ordinary lampshade does, also the amount of light on the front of the backdrop can transpose the scene from daylight, to dusk, to night .
contemporary suburban home circa 1960’s, hand painted on primed muslin, matte paint, note that the windows may be backlighted / what enables the windows to ‘ illuminate ‘ and which transposes the the backdrop from “daytime “ to “evening” … is the windows haven’t been base coated with opaque primer, as is the balance of the backdrop is, thus reflected back-light, behind the backdrop emits soft light through the unprimed windows , as an ordinary lampshade does, also the amount of light on the front of the backdrop can transpose the scene from daylight, to dusk, to night .
